Our Productions

Documentary Film

33 Photos From the Ghetto
33 Photos From the Ghetto
33 Photos From the Ghetto
33 Photos From the Ghetto
33 Photos From the Ghetto
33 Photos From the Ghetto
33 Photos From the Ghetto
33 Photos From the Ghetto
33 Photos From the Ghetto
33 Photos From the Ghetto
33 Photos From the Ghetto
33 Photos From the Ghetto

33 Photos From the Ghetto

directed by Jan Czarlewski
screenplay by Jan Czarlewski and Carlotta Verny

In April 1943, Warsaw is burning. The Germans brutally suppress the uprising in the ghetto, turning the entire district into a sea of fire. Amid chaos and death, Leszek Grzywaczewski, a young Polish firefighter, documents the unimaginable - he takes 33 photographs, the only known civilian images of this crime. Eighty years later, his son, Maciej, discovers a forgotten negative and begins an investigation that changes his life. As he uncovers more clues, he comes to know a father he never truly knew - a man entangled in history, a witness to tragedy, a quiet hero, a man who did not look away.

Roma, a survivor of the ghetto, saw these images as a little girl. They never left her. All her life she tried to forget, though she knew it was impossible. Now the photographs return - as testimony that cannot be erased, and as a warning that must not be ignored. This is a film about memory that must not be lost. About a past that is not a closed chapter. About history that has a way of repeating itself when we forget.

Still Human?
Still Human?
Still Human?
Still Human?
Still Human?
Still Human?
Still Human?
Still Human?
Still Human?
Still Human?
Still Human?
Still Human?

Still Human?

directed by Mirosław Bork
screenplay by Mirosław Bork

Eleven-year-old Agnieszka, now an independent adult university graduate, suffered a brain injury in 2003 after falling from a horse. Despite pressure that contradicted both medical procedures and applicable law, her parents refused to consent to a declaration of brain death and the initiation of organ procurement procedures.

Nineteen-year-old Łukasz, now a man in his twenties living with his parents and using a wheelchair, lost consciousness following a car accident, and for many months there was no contact with him. In his case as well, his parents refused to believe that their son “would remain a vegetable.” How could such profound misdiagnoses occur? Is it possible that even in matters of life and death mandatory medical procedures may not be properly followed?

The stories of Agnieszka and Łukasz become the starting point for an in-depth discussion among doctors from Poland and abroad, supporters and critics of contemporary medical practices. Distinguished specialists attempt to determine whether such tragic mistakes result from medical errors and violations of procedure, or whether the very concept of brain death is based on assumptions of an ideological or philosophical nature that are not sufficiently supported by science.

The lives of Agnieszka and Łukasz — both of whom might no longer be alive today — demonstrate that film has both the right and the obligation to ask difficult questions, despite the controversy they may provoke.

List biskupów
List biskupów
List biskupów
List biskupów
List biskupów
List biskupów
List biskupów
List biskupów
List biskupów
List biskupów

List biskupów

directed by Mirosław Bork
screenplay by Mirosław Bork

The year 1965 was a breakthrough for Polish-German relations. During the Second Vatican Council, the Polish bishops sent the Germans their famous message of forgiveness and a request for forgiveness. In Poland, this sparked opposition from the communist authorities and mixed reactions from society, while the German response was rather cold. Nevertheless, the initiative began the process of reconciliation between the two nations. In the following years, it led to political changes, recognition of borders, and the normalization of relations. A symbolic culmination was the Reconciliation Mass in Krzyżowa in 1989.

Independence
Independence
Independence
Independence
Independence
Independence
Independence
Independence
Independence
Independence
Independence
Independence

Independence

directed by Krzysztof Talczewski,
screenplay by Krzysztof Talczewski and Mirosław Bork

“Independence” tells the story of Poland’s road to regaining independence in 1918, the struggle to preserve it, and the building of a modern state during the first years of the Second Polish Republic. The film follows events from the outbreak of World War I, through the participation of Poles fighting on different fronts, the Greater Poland and Silesian uprisings, the Polish–Soviet War, and the diplomatic efforts that led to the rebirth of the Polish state.

Alongside major historical events, the film also portrays the everyday social, economic, and cultural life of the newly reborn Poland — a country rebuilding itself after years of partitions and war. The narrative is guided by witnesses and participants of the events, whose memoirs and testimonies give the story a deeply personal dimension.

The film was created using unique archival footage from the years 1914–1923, sourced from Polish as well as French, German, Russian, American, and Ukrainian archives. Thanks to a multi-year process of digital restoration and colorization, most of these materials were presented to the public for the first time.

The film was produced by MWM Media in cooperation with Telewizja Polsat, the Ministry of Culture and National Heritage, and Filmoteka Narodowa – Instytut Audiowizualny.

Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory
Po-Lin: Slivers of Memory

Po-Lin: Slivers of Memory

directed by Jolanta Dylewska
screenplay by Jolanta Dylewska

PO-LIN is the Hebrew name for Poland. These words, meaning "here we shall dwell," were said by Jews arriving in our country, fleeing from Germany due to pogroms and epidemics. This is what a 13th-century legend says.

"PO-LIN", a documentary by the acclaimed cinematographer Jolanta Dylewska, is almost entirely based on archival materials—the result of many years of searching around the world. The authors of these unique recordings were Jews who had emigrated to the United States but returned to Poland in the 1930s to visit their relatives. They often brought cameras with them. These amateur films show the everyday life of Jews in pre-war Poland, preserving for us a fragment of history that disappeared forever after September 1939.

Jolanta Dylewska visited 19 locations from which the original recordings came, also finding some of the last living witnesses of that era.

The film’s narration, read in the Polish version by Piotr Fronczewski, was created thanks to the Books of Memory (Sifrei Zikaron), written by survivors. Through painstaking research, using information from these books and the accounts of Polish witnesses who remembered coexistence with Jews, the author managed to identify many of the people appearing in the amateur films.

"Po-lin" is a moving look at a world that has vanished forever, swept away by the turmoil of war. Before the war, 3.5 million Jews lived in Poland—nearly 10 percent of the country’s population. Here they were born and died. They loved, prayed, and suffered. This was their homeland. Po-lin...

War of the Worlds
War of the Worlds
War of the Worlds
War of the Worlds
War of the Worlds
War of the Worlds
War of the Worlds
War of the Worlds
War of the Worlds
War of the Worlds
War of the Worlds
War of the Worlds

War of the Worlds

directed by Mirosław Bork and Krzysztof Talczewski
screenplay by Mirosław Bork

“War of the Worlds” is a documentary film based on reconstructed archival materials from the Polish–Bolshevik War of 1920. The film features archival footage, radio recordings, photographs, military orders, and secret reports sourced from archives in Russia, France, Great Britain, the Czech Republic, Hungary, and the United States.

The film presents not only the Battle of Warsaw, known as the Miracle on the Vistula, but also the broader dimension of the war — the dramatic struggle of the young Polish state against Bolshevik Russia and the clash between two opposing visions of the world: democracy and totalitarianism.

Built around eyewitness accounts and historical documents, the story shows that Poland’s victory was not a miracle, but the result of strategic leadership, intelligence operations, and the determination of soldiers and volunteers.

Eugeniusz Kwiatkowski. A Statesman
Eugeniusz Kwiatkowski. A Statesman
Eugeniusz Kwiatkowski. A Statesman
Eugeniusz Kwiatkowski. A Statesman
Eugeniusz Kwiatkowski. A Statesman
Eugeniusz Kwiatkowski. A Statesman
Eugeniusz Kwiatkowski. A Statesman
Eugeniusz Kwiatkowski. A Statesman
Eugeniusz Kwiatkowski. A Statesman
Eugeniusz Kwiatkowski. A Statesman

Eugeniusz Kwiatkowski. A Statesman

directed by Mirosław Bork
screenplay by Mirosław Bork

Eugeniusz Kwiatkowski was one of the greatest architects of modern Poland — an economic visionary, minister, and deputy prime minister of the Second Polish Republic. A legionnaire of Józef Piłsudski and a participant in the Polish–Soviet War of 1920, he became the driving force behind some of the country’s most ambitious projects, including the port of Gdynia and the Central Industrial District, initiatives that continue to shape the Polish economy to this day.

The film tells the story of an extraordinary man who helped rebuild Poland after independence, survived the trauma of World War II, internment in Romania, and the death of his son during the September Campaign. After the war, despite strong opposition from many émigré circles, he chose to return to Poland, convinced that he could still serve his country.

At the heart of the film are the years 1945–1948 — a brief but decisive period that encapsulates Poland’s postwar dilemmas: the hope of rebuilding the nation, the rise of a new political system, and the gradual elimination of independent-minded figures from public life. Despite his unquestionable achievements, Eugeniusz Kwiatkowski was removed from public life and condemned to decades of silence.

This is a story about Poland, the ambition to build a modern state, and the price of remaining independent.

Documentary Series

History of Polish Cuisine
History of Polish Cuisine
History of Polish Cuisine
History of Polish Cuisine
History of Polish Cuisine
History of Polish Cuisine
History of Polish Cuisine
History of Polish Cuisine
History of Polish Cuisine
History of Polish Cuisine
History of Polish Cuisine
History of Polish Cuisine

History of Polish Cuisine

directed by Mirosław Bork and Tomasz Rostworowski
screenplay by Mirosław Bork and Jarosław Dumanowski

“History of Polish Cuisine” is a documentary series that takes viewers into the world of traditional flavors, culinary customs, and food heritage in Poland — from the time of the Christianization of Poland to the present day. The series combines education and entertainment, presenting the history of Polish cuisine through historical storytelling, authentic recipes, and reconstructions of traditional dishes.

The main expert and narrator of the series is Jarosław Dumanowski, whose work is based on extensive academic research, while Maciej Nowicki recreates historical dishes that appeared on Polish tables over the centuries.

Each episode explores how Polish culinary traditions evolved and how Polish cuisine drew inspiration from different parts of Europe. Alongside historical context, viewers are introduced to authentic recipes and traditional cooking techniques faithfully recreated in the culinary studio.

“History of Polish Cuisine” is a story about flavors, culture, and everyday life in past centuries, revealing the richness of Poland’s culinary heritage and inspiring viewers to rediscover historical recipes in their own kitchens.

The series is available on the TVP VOD platform.

Feature Film

Lachtara. Longing
Lachtara. Longing
Lachtara. Longing
Lachtara. Longing
Lachtara. Longing
Lachtara. Longing
Lachtara. Longing
Lachtara. Longing
Lachtara. Longing
Lachtara. Longing

Lachtara. Longing

directed by Sebastian Chondrokostas
screenplay by Sebastian Chondrokostas and Mirosław Bork
production Poland, Greece

After years of separation, a Greek father and his adult son set off in an old Polonez on a journey from Athens to Wałbrzych. Along the way, they must confront not only their shared past, but also their fractured relationship. The road becomes a chance for belated fatherhood and reconciliation.

Feature Series

Bracia
Bracia
Bracia
Bracia
Bracia
Bracia
Bracia
Bracia
Bracia
Bracia
Bracia
Bracia
Bracia
Bracia

Bracia

directed by Maciej Migas
screenplay by Mirosław Bork, Ida Bork-Buszkowska and Aneta Głowska

A witty and twisted story about family, love, betrayal, and passion. The protagonists are four brothers. The eldest, Piotr, is an architect and businessman, Alek is a psychologist and therapist, Wojtek is a dreamer and a cook, and Adam is a wild musician who makes every woman fall in love with him. The choices they make are difficult and far from obvious, especially since their lives are strongly influenced by their strict father, Jerzy. Winning a woman’s heart is not easy, and each of these young men will have to find his own way to reach the heart of the one.

TV Program

Okrasa Breaks the Rules
Okrasa Breaks the Rules
Okrasa Breaks the Rules
Okrasa Breaks the Rules
Okrasa Breaks the Rules
Okrasa Breaks the Rules
Okrasa Breaks the Rules
Okrasa Breaks the Rules

Okrasa Breaks the Rules

directed by Tomasz Rostworowski
written and hosted by Karol Okrasa

“Okrasa Breaks the Rules” is a culinary television series hosted by Karol Okrasa that combines cooking with the exploration of Polish traditions, regional products, and local culture. Each episode focuses on a different culinary hero — whether a regional product, a traditional dish, or a local specialty. The program presents its method of production, history, cultural importance, as well as its flavor and nutritional qualities.

The series goes beyond the classic cooking-show format by also showcasing the landscapes, landmarks, customs, and everyday life of the regions it visits. Through this journey, viewers discover the richness and diversity of Polish cuisine and culture while being inspired to explore lesser-known flavors and experiment in their own kitchens.

“Okrasa Breaks the Rules” also has an educational and promotional dimension, highlighting the richness of Poland’s culinary heritage, modern interpretations of traditional recipes, and the diversity of regional tastes. Combining culinary, travel, and cultural elements, the series becomes a story about rediscovering Polish cuisine in a contemporary way.

About Us

MWM media is an independent production company specializing in feature films, documentaries, and high-quality audiovisual projects.

We develop and produce projects for both domestic and international markets, collaborating with filmmakers from diverse backgrounds and countries. We offer a comprehensive production process — from development and filming to post-production and delivery for distribution.

We operate with our own technical and production infrastructure, including camera equipment and extensive experience in managing film sets. We work across projects of various scales, from intimate documentaries to full-length feature productions.

Each project is approached individually, combining creative vision with solid production management.

Services

Sound Design

Creative audio design for media.

We create unique soundscapes, special effects, and atmospheres tailored to your project's needs, enhancing the storytelling and emotional impact of your visual content.

Foley Effects

Custom recorded everyday sound effects.

Our Foley artists record bespoke sounds (footsteps, cloth rustling, props) in sync with the picture to add realism, depth, and texture to your film or game.

ADR Recording

Automated Dialogue Replacement and voiceovers.

High-quality studio recording for replacing production dialogue, dubbing, or recording voiceovers with perfect acoustics and top-tier microphones.

Mixing (Stereo / 5.1)

Professional audio mixing for various formats.

We balance dialogue, music, and sound effects to create a cohesive and dynamic final mix, fully compliant with broadcasting standards for Stereo, 5.1 surround, and web formats.

Our Team

Ida Bork-Buszkowska

Ida Bork-Buszkowska

Production manager, screenwriter and documentary researcher

A graduate of the University of Gdańsk’s Polish Philology Department (specialization in theatre studies), she has been working in the film and television industry for many years.
Co-writer of scripts and dialogues for the TV series Plebania, Pensjonat pod Różą and Bracia (2023, 2025). She has also worked on documentary and feature film productions, including Independence, War of the Worlds, 33 Photos from the Ghetto, Eugeniusz Kwiatkowski. A Statesman and Lachtara. Longing.
She specializes in archival research and sourcing archival materials for historical and documentary projects.

Mariusz Tytoń

Mariusz Tytoń

Film and TV editor, colorist, conforming and post-production specialist

A graduate of the Warsaw Film School in the field of Film and Multimedia, specializing in Film Editing. He has been associated with the audio-video industry from the age of majority. Film and TV editor, colorist, conforming and post-production specialist. He edited and color-corrected hundreds of episodes of TV programs and series. He gained the greatest experience as an editor of full-length feature films and documentaries: “Lachtara”, “Independence”, “Brothers”, “War of the Worlds”. In his free time, he enjoys relaxation while traveling through warm countries. A passionate gadget fighter, diver and computer handyman.

Magdalena Nowacka-Flakiewicz

Magdalena Nowacka-Flakiewicz

Head of Production, producer, and manager of film and television projects

She graduated from the Interfaculty Individual Studies in the Humanities program at the University of Silesia in Katowice, completed postgraduate studies in Media Management at Kozminski University in Warsaw, and participated in the international Berlinale Talent Campus workshops. She is a member of the Polish Society for Film and Media Studies.
She serves as Head of Production, Producer, and Project Manager for film and television productions. Her day-to-day responsibilities include organizing and managing production processes. She combines academic research with professional practice in the field of audiovisual production, facilitating interdisciplinary knowledge transfer between academic, artistic, and media communities. She develops and produces both documentary and fiction projects.

Contact us!

MWM media sp. z o.o.

Transportowców 10C 02-858 Warszawa